Ramayana: Part 1 - A $500 Million Spectacle Aims to Redefine Indian Cinema


This story, titled "Ramayana review: Can this $500m film saga live up to expensive expectations?" First published on The National and was retrieved from its original source on November 5, 2026.
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Nitesh Tiwari directs Ramayana: Part 1, the ambitious first installment of a cinematic saga based on the ancient Sanskrit epic attributed to poet and sage Valmiki. The film boasts an ensemble cast including Ranbir Kapoor, Sai Pallavi, Yash, Lara Dutta, Vivek Oberoi, and Anupam Kher, charting the epic journeys of Rama and Ravana on an unprecedented scale. With a combined budget of approximately $500 million for the two-part project, as stated by producer Namit Malhotra, this initial film, despite minor stumbles, largely captivates over its extensive 195-minute runtime. Crafted as a classic revenge tragedy, it employs a full spectrum of cinematic tools to deliver a spectacular experience, deliberately avoiding reliance on the audience's religious reverence for the source material. The enduring cultural impact of the story is echoed by historian William Dalrymple's account of how Ramanand Sagar’s television adaptation, Ramayan, once brought public transport to a standstill. The immense pressure on Tiwari, Malhotra, and co-writer Shridhar Raghavan (known for Pathaan) to honor this legacy is palpable.
Tiwari’s adaptation stands as a significant spectacle, featuring some of the finest visual effects and action choreography in Indian cinema. This quality is partly attributable to Malhotra's leadership at Prime Focus Studios and the involvement of Oscar-winning visual-effects company DNEG, with credits including Blade Runner 2049 and Dune. In contrast to many effects-heavy Indian films that have struggled with convincing digital worlds, Ramayana aims to set a new standard, commencing with a fantastical battle between two superpowered factions, complete with majestic white elephants and colossal, thundering beasts. While the execution isn't uniformly flawless, particularly in scenes within a newly conquered Lanka where crowd integration falters, these moments are infrequent. The initial dialogue can feel somewhat stiff, relying on exposition where non-verbal cues might suffice. However, the emotional core of the narrative soon takes over, significantly bolstered by the performances of Kapoor and Pallavi. Their compelling, classic chemistry makes their characters instantly relatable and root-worthy. They are ably supported by strong performances from Sheeba Chaddha, Shobana, and Dutta, whose portrayals of influential women are pivotal to the story's progression. Arun Govil, who famously portrayed Rama in Sagar’s Ramayan, now takes on the role of his father, King Dasarath of Ayodhya, bringing a depth of emotion reminiscent of his iconic television performance.
The film's estimated $500 million budget positions it among the most expensive films ever produced. With such a star-studded cast, some talented actors inevitably have limited screen time; Indira Krishnan, for instance, delivers memorable moments but leaves the audience wanting more. Nevertheless, the narrative's deliberate pacing in exploring the political and familial dynamics within Ayodhya and Lanka largely justifies the distribution of roles. Yash embodies Lanka’s king, Ravana, with commanding presence, evoking both awe and terror. The film is further elevated by its stunning cinematography and an extraordinary score by Oscar winners Hans Zimmer and AR Rahman, creating a sense of wonder seldom experienced in contemporary cinema, rivaling that of the Avatar series or Christopher Nolan's films. There's a notable sincerity in its storytelling; the filmmakers' serious engagement with the world, its inhabitants, and their struggles ensures the audience remains engrossed for most of its runtime. Ramayana: Part 1 offers a grand cinematic experience and is best appreciated in 3D on an IMAX screen.
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