Dubai Fashion Week Ignites with Dazzling Couture and Emerging Global Talent


This story, titled "Dubai Fashion Week opens with dazzling couture by Yousef Al Jasmi, Sara Pedram, Pallavi Puri and Kresha Bajaj" First published on The National and was retrieved from its original source on October 23, 2026.
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Dubai Fashion Week has officially launched its spring/summer 2027 season, underscoring the region's expanding fashion influence beyond the traditional runway. Prior to the first models gracing the catwalk on Thursday, a special showroom within the Dubai Design District offered a glimpse into emerging international talent and introduced several designers to the UAE market. Among these innovators was Bahrain's Touchless, a label gaining significant traction for its 3D-printed handbags, which have already garnered attention from prestigious publications like British Vogue and retailers such as Selfridges and Level Shoes, alongside support from Fashion Trust Arabia. These unique creations even made an appearance within the popular Bridgerton universe.
Egyptian jeweller turned eyewear designer Amr Saad presented a collection of bespoke gold and silver frames, distinguished by intricate, jewellery-like detailing on the arms and bridge. From Tunisia, the footwear label Balga showcased sculptural heels inspired by traditional metalworking techniques. Their leather mules featured hand-hammered metalwork, including a distinctive tapered heel etched with graphic lines reminiscent of baklava patterns.
Kuwaiti designer Kochylia, whose name translates to 'seashells' in Greek, offered a refined interpretation of wardrobe staples. Their collection included reworked trench coats and tuxedo jackets adorned with handmade porcelain buttons crafted from Kuwaiti mud.
The evening's runway presentations commenced with Kuwait's Yousef Al Jasmi, a designer renowned for dressing high-profile personalities, including Lady Gaga. His collection embraced theatricality and opulence, featuring crystal-encrusted dresses that hugged the body, long crystal strands cascading from shoulders to the floor, and sculpted bodices paired with sheer, form-fitting skirts. The palette transitioned from subtle nude tones to dramatic black, with each piece designed to capture light from every angle.
Following Al Jasmi was self-taught designer Sara Pedram, whose 'Simurgh' collection drew deep inspiration from Persian mythology, specifically 'The Conference of the Birds' by Attar of Nishapur. Pedram's work explored themes of transformation, spirituality, and rebirth, translating the epic poem into a series of sculptural silhouettes. The show opened with a ballerina, followed by ethereal creations featuring wing-like extensions at the shoulders. A richly embellished burnt-umber column gown transitioned into a shimmering cascade of paillettes, while a Prussian-blue velvet gown showcased a Swarovski-crystal Tree of Life motif on its train, symbolizing growth and renewal. A particularly striking piece was a voluminous, full-skirted creation made from rough hessian, hand-painted with a scene inspired by the Persian poet Hafez. Pedram explained backstage that 'Simurgh' represents rebirth and transformation, making the collection deeply personal, especially this year, emphasizing that fashion is about storytelling.
Indian designer Pallavi Puri presented 'Beyond Borders,' a collection celebrating cultural exchange through designs intended for women across the region. Inspired by her family and friends, Puri reinterpreted traditional Indian beadwork for a modern audience, drawing inspiration from Emirati, Asian, and Moroccan women. Equestrian motifs were also prominent, reflecting the designer's passion for horses and Dubai's rich equestrian heritage. The show featured Indian model Lisa Haydon opening and Lebanese actress Cyrine Abdel Nour closing in an embellished bridal look, highlighting the collection's cross-cultural message.
Concluding the evening was Kresha Bajaj, whose collection highlighted the designer's signature beadwork. Applied to daywear, the intricate beadwork adorned delicate crocheted tops and street-style tank tops, while also forming striking zebra-skin patterns. As the collection moved into evening wear, the embellishments became more elaborate, creating latticework across torsos and cascading around hips and legs, offering a glamorous yet edgy aesthetic.
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